Now Leaving: Your Comfort Zone

If you’ve looked at the body of my writing work, I think it would be hard to pigeonhole me into any particular genre of fiction. I’ve written comic books, Young Adult novels, Business Melodrama, Science Fiction and Survival Horror. I just published a literary love story, and I wrote a crime novel that will never see print. And right now I’m seeking an agent for both a high fantasy epic and a thriller with some elements of high fantasy. I never gave much thought into what motivates me to switch genres and styles of storytelling. I could say I just go where the story takes me, but that would be too simple.

Truth be told, every story I’ve written has been a challenge to myself in some way, shape or form. I get inspired by books I read, TV shows I watch and movies and video games I enjoy. And these stories inspire me to tell my own. I often ask myself “wouldn’t it be cool if I could write XXX kind of story?” and being the impulsive guy I am, it doesn’t take me long to hash out some ideas for that genre and style.

For the Thriller I just wrote, it started off as a prequel to an epic urban high fantasy series I’m planning. But as I was writing it, I didn’t really know how the story was going to get from its beginning to the point where my saga started. I’m usually a big “plot” guy, and I’ll spend a lot of time outlining the plot points and twists, creating a roadmap for where I want the story to go. But this time, I didn’t want to spend a lot of time pre-planning my story, and I really just wanted to start writing. So that’s exactly what I did. I only had a handful of vague plot points in mind when I started writing this story. I had two or three events I wanted to build up to, and I had a general idea of how I wanted it to end, but I left myself completely open with this story. I just created some characters, created a world for those characters to inhabit, and put the central character in a dire predicament. I then just followed that character around in this setting, observing his actions, getting inside his head to find out what he’s thinking and feeling as he does what he does, and writing everything down. This style of storytelling is counter-intuitive to every other book I’ve written, and it was uncharted territory for me. It was kind of scary. But it was also thrilling to be “winging it” and basically making the story up as I go along. And I turned out great; “Needle of the Southside” may be my strongest story yet, and I already have a ton of material in motion to take a similar journey in its follow-up book.

I believe the only way to truly improve as a storyteller it to challenge yourself and step out of your comfort zone. Even successful writers (actually, ESPECIALLY successful writers) can get complacent and fall into a rut, telling the same types of stories in the same style over and over again. This is why Steven King will take a break from writing horror to write stories like The Green Mile, Shawshank Redemption, Dark Tower and The Stand. It gives one a chance to freshen up, and learn new things about ones self as a writer and storyteller.

So my challenge to you is simple. Try something different. If you’re used to writing modern fantasy (especially if your Vampires glitter and your Werewolves are emo), take a stab at writing a crime story. If rustic heartland romances are your thing, take a shot at writing a political thriller. If you write historical fiction, then maybe you can shift from the past to the future and write some hard Science Fiction. And you can even stretch your muscles stylistically, like switching from the female protagonists you always write to a male one, or switching from Third person to First person (or the even bigger challenge of Second person), or switching from writing in past tense to present tense. In doing so you might broaden your horizons and discover some new things about your voice that you never knew you had before.

You don’t even have to commit to a whole book of it if you don’t want to. Maybe just a short story, or a simple scene just to see what it would feel like and read like in your new style or genre. And whatever you don’t finish you could just put in your writer’s vault for future idea mining. This would be a great way to improve your storytelling acumen.

Judy Blume is one of my favorite children’s authors. The Fudge series of books is legendary. But did you know she writes books for adults, too? Give this one a try.

Writing Your Batman Story

I’ve been told that every halfway decent writer has at least one good Batman story in them. I agree. Batman is a beloved character, and can be placed effectively in almost any type of story.

For instance: I wrote an alternate universe treatment with the bat family as counterterrorist agents instead of superheroes. Also, I want to write a trippy, futuristic Batman story, starring a grown-up Damien Wayne (Batman’s biological son and the current Robin) wearing the cape and cowl,  based entirely on Prince’s Batman soundtrack. Have you read his lyrics? Wow. It would be Damien going up against the Sadistic, hedonistic PARTYMAN to stop him from flooding Gotham with the deadly psychadelic drug “Lemon Crush.” I probably won’t ever actually write it, but it would be pretty darned cool.

I have a few more doozies in the vault. I would divulge what my treatments are, but I’m saving them in case DC ever comes calling.

Now, I wonder what YOUR Batman story would look like…

You might wonder just exactly how you can make a Batman story if you don’t normally write superheroes. This is where Batman’s versatility comes into play. So, beyond the usual superhero fare, Batman is also the World’s Greatest Detective and a master specialist in hand-to-hand combat. So if your writing forte leans toward Crime, Detective stories or procedurals, and even thrillers, Batman is a perfect character to build a story around, even without the superhero baggage.

Is steamy romance your thing?  Batman has gone through numerous relationships. He has been romantically involved with Vicki Vale, he has a love child by his arch-enemy Talia Al Ghul (instant baby mama drama!) and was recently left at the altar when he tried to marry Catwoman. There are even stories that have him hooking up with Wonder Woman, and one particularly creepy (for all the wrong reasons) tryst with Batgirl. You can play into the conflict between Batman’s mission and his need for intimacy.

Are you a Sci-Fi or fantasy writer? Batman’s gadgets and futuretech should be right up your alley, and Bats has even thrived in fantasy settings. He has literally fought Demons, Vampires, Zombies, and Sorcerers, and has been portrayed as a literal “Dark Knight” on multiple occasions.

Wanna do Horror? What can be more terrifying for a criminal than a being stalked by a man-sized bat in the darkness? You can also play into the mental illnesses of the bad guys (Hannibal Lecter has NOTHING on Batman’s rogues gallery) or how scary it can be for victims of the bad guys. One of the Bat villains LITERALLY specializes in inducing fear, in fact.

If family drama is your thing, you can’t get more dramatic than the Batman family. He is an orphan himself, and has raised no less than four young men who all have quirky personalities and issues with each other. Everyone connected to Batman has dealt with personal and even familial trauma, from Commissioner Gordon with his vigilante daughter and sociopathic son, to Harley Quinn’s abusive relationship with The Joker, to the complicated family tree of Ras Al Ghul, Talia and Damien Wayne.

Batman is also a master of disguise and an expert intel gatherer/saboteur, so espionage and political thrillers would also be a good fit for him. You can also cover political drama and conspiracy theories via The Court of Owls, or personal stories of trauma and recovery like when Batman’s protegee Dick Grayson (Nightwing) got shot in the head and went through a total personality change in his recovery from that. And Batman’s dry wit and gallows humor could lend themselves well to comedy writing. He was even put into a Japanese Samurai story to great effect. You can put Batman into literally any story scenario and have a basis for a compelling story.

A good Batman story is no different than a good Sherlock Holmes or Miss Marple story. It’s just a good detective/crime/superhero/horror/thriller story, starring Bruce Wayne. Even if you don’t ever intend on approaching DC with your Batman story, you can still make one. Just replace Batman with an original character that has similar traits, or grab one in the public domain, and voila! Instant original story you don’t have to worry about getting sued over.

A simple way to get started is to take a story or trope within a genre you enjoy writing about, and simply ask yourself what would happen if it were Batman starring in the story instead of your usual protagonist. What would be different? What can and would Batman do differently than your usual protagonist in handling the situation? How would the circumstances of the situation react to him? Would any of is allies and enemies be involved? And then you just build from there.

Just to illustrate my point, here is a story where an evil, twisted version of Batman shows the real Bats different versions of himself in other lives, where his story plays out quite differently.