Picking Through the Remnants of Unused Stories

Like most writers, I have gotten a lot of story ideas. We get bombarded daily by “what if” questions that are begging to be answered in our own particular style, with our own particular voices. It would be foolish not to record these ideas. Even if you cannot utilize an idea now, it is something you very well might want to revisit at a later date.

Sometimes, that “later date” actually arrives. I was in the midst of promoting my sci-fi horror novel Godmode and I had gotten the itch to start writing a new story. Problem was, I didn’t have any new ideas to explore at the time, not that I wanted the hassle of building on an idea from scratch anyway. So I picked up my old archive of unused ideas and undeveloped concepts and thumbed through them to see if there was anything that struck me at the time. It is always good to keep some kind of record of your unused ideas, whether it be some kind of database, or a journal, or a folder of notes, or something. I have folders of unfinished comic books in storage, as well as CD-ROMs and DVD-ROMs full of stored ideas and unfinished manuscripts. It was my unfinished comics that game me inspiration this time, and I decided to adapt one of them into a series of novels.

Some of my best projects have come from recycled ideas. All of my webcomics were continuations of ideas I had come up with back in my college days, and the current stories I am working on now are ideas I had ten years ago but never did anything with.

Sometimes an idea you come up with can be literally ahead of its time, so it might need to sit and percolate for a while as you mature as a writer and as a person. Once you’ve built up skill and confidence in your craft, and acquired more knowledge and wisdom, then perhaps you might be ready to tackle that idea and give it the attention it deserves. This was the case with the manuscript I’m seeking representation for as of this post, an urban high fantasy epic with very deep political and socioeconomic themes. When I first drew up this story as a four-issue comic book series back in the year 2000, I was only scratching the surface of what I could do with this story. But 14 years later, I’ve grown a lot, learned a lot and seen a lot, and now I’m more prepared to plumb the depths necessary to truly tell this story.

So when sifting through your pile of lost ideas, how do you choose which one to dust off? It’s not an exact science. You can go by feel. Which of your old ideas is speaking most to you at that moment? Writers have a mysterious intuition for stories, where one idea or concept burrows its way into your mind and won’t leave you alone until you do something with it. Does one of your old unfinished stories do that to you? Is it begging you to come finish it and won’t get out of your head until you do? Then that is obviously the story you need to be picking up. Or your motivation could be purely financial. Which of your story ideas is the most marketable? Compare your ideas to what is popular now, or what might be popular in the future, around the time you finish your story. As of this writing, there’s a big surge in popularity for Young Adult adventure books starring white, teenage females. Before that the hot thing was Young Adult high fantasy starring white, teenage boys. If your idea fits what’s popular now and you can crank a book or three out of your idea within the window of that genre’s popularity, then go for it. Otherwise, think about the future and try to gauge what the next trend will be, and see which of your book ideas fit. Of course, some concepts are timeless (re: anything that can be easily adapted to a movie). So if that’s the way you want to go, then you might want to consider that.

Okay, so now you’ve picked your story to rehash…now what? You need to look your idea over and figure out what it was that made you abandon the story in the first place. Maybe the subject matter was too personal, or maybe the story has a character in it you can’t quite figure out. Maybe the concept was too big to wrap your head around at the time. I have one story idea in mothballs because it would involve extensive worldbuilding and research into a foreign culture – in my case, feudal China. I also would have to delve into a myriad of different kung-fu fighting techniques, and figure out how to portray them properly in prose. And that’s in addition to the usual character and plot development stuff – involving nine different protagonists (yeah, my story idea is a little on the ambitious side). I’m not ready to do all of that…not yet, at least. Regardless, once you figure out what stopped you the first time, you need to attack that issue head on and figure out a solution. Or work around it, and develop all of the other aspects of the story you are more comfortable with. For instance, if one important character is an enigma to you, then develop everybody else first. Sometimes, working on another aspect of the story will actually present you the solution to the aspect that is bothering you.

Once you open your mind and focus on that story, you will be surprised at the things you notice around you that will help you develop it. Information in the news, or in conversations with your colleagues, or stuff you see in other media, will feed your idea. There were stories I’ve found on the internet that I otherwise couldn’t have cared less about, but now that I’m in tune with my new/old story idea, those articles particularly stand out. When you think like a hammer, everything becomes a nail. So start hammering away! 

BTW, One of the best examples of successfully rehashing an unfinished story is M. Knight Shaymalan’s Unbreakable/Split/Glass trilogy. check out the Wiki on how Glass was made. It’s absolutely fascinating.

Writing Your Batman Story

I’ve been told that every halfway decent writer has at least one good Batman story in them. I agree. Batman is a beloved character, and can be placed effectively in almost any type of story.

For instance: I wrote an alternate universe treatment with the bat family as counterterrorist agents instead of superheroes. Also, I want to write a trippy, futuristic Batman story, starring a grown-up Damien Wayne (Batman’s biological son and the current Robin) wearing the cape and cowl,  based entirely on Prince’s Batman soundtrack. Have you read his lyrics? Wow. It would be Damien going up against the Sadistic, hedonistic PARTYMAN to stop him from flooding Gotham with the deadly psychadelic drug “Lemon Crush.” I probably won’t ever actually write it, but it would be pretty darned cool.

I have a few more doozies in the vault. I would divulge what my treatments are, but I’m saving them in case DC ever comes calling.

Now, I wonder what YOUR Batman story would look like…

You might wonder just exactly how you can make a Batman story if you don’t normally write superheroes. This is where Batman’s versatility comes into play. So, beyond the usual superhero fare, Batman is also the World’s Greatest Detective and a master specialist in hand-to-hand combat. So if your writing forte leans toward Crime, Detective stories or procedurals, and even thrillers, Batman is a perfect character to build a story around, even without the superhero baggage.

Is steamy romance your thing?  Batman has gone through numerous relationships. He has been romantically involved with Vicki Vale, he has a love child by his arch-enemy Talia Al Ghul (instant baby mama drama!) and was recently left at the altar when he tried to marry Catwoman. There are even stories that have him hooking up with Wonder Woman, and one particularly creepy (for all the wrong reasons) tryst with Batgirl. You can play into the conflict between Batman’s mission and his need for intimacy.

Are you a Sci-Fi or fantasy writer? Batman’s gadgets and futuretech should be right up your alley, and Bats has even thrived in fantasy settings. He has literally fought Demons, Vampires, Zombies, and Sorcerers, and has been portrayed as a literal “Dark Knight” on multiple occasions.

Wanna do Horror? What can be more terrifying for a criminal than a being stalked by a man-sized bat in the darkness? You can also play into the mental illnesses of the bad guys (Hannibal Lecter has NOTHING on Batman’s rogues gallery) or how scary it can be for victims of the bad guys. One of the Bat villains LITERALLY specializes in inducing fear, in fact.

If family drama is your thing, you can’t get more dramatic than the Batman family. He is an orphan himself, and has raised no less than four young men who all have quirky personalities and issues with each other. Everyone connected to Batman has dealt with personal and even familial trauma, from Commissioner Gordon with his vigilante daughter and sociopathic son, to Harley Quinn’s abusive relationship with The Joker, to the complicated family tree of Ras Al Ghul, Talia and Damien Wayne.

Batman is also a master of disguise and an expert intel gatherer/saboteur, so espionage and political thrillers would also be a good fit for him. You can also cover political drama and conspiracy theories via The Court of Owls, or personal stories of trauma and recovery like when Batman’s protegee Dick Grayson (Nightwing) got shot in the head and went through a total personality change in his recovery from that. And Batman’s dry wit and gallows humor could lend themselves well to comedy writing. He was even put into a Japanese Samurai story to great effect. You can put Batman into literally any story scenario and have a basis for a compelling story.

A good Batman story is no different than a good Sherlock Holmes or Miss Marple story. It’s just a good detective/crime/superhero/horror/thriller story, starring Bruce Wayne. Even if you don’t ever intend on approaching DC with your Batman story, you can still make one. Just replace Batman with an original character that has similar traits, or grab one in the public domain, and voila! Instant original story you don’t have to worry about getting sued over.

A simple way to get started is to take a story or trope within a genre you enjoy writing about, and simply ask yourself what would happen if it were Batman starring in the story instead of your usual protagonist. What would be different? What can and would Batman do differently than your usual protagonist in handling the situation? How would the circumstances of the situation react to him? Would any of is allies and enemies be involved? And then you just build from there.

Just to illustrate my point, here is a story where an evil, twisted version of Batman shows the real Bats different versions of himself in other lives, where his story plays out quite differently.

Writing is the New Running

One of the more intriguing things to me about pop culture is the portraying of “running” as a person. The first I had heard of this was in the Mel Gibson movie “What Women Want,” where the hit ad campaign concocted by Mel and Helen’s characters features a Nike shoe campaign aimed at female runners.

 “You don’t stand in front of a mirror before a run…
and wonder what the road will think of your outfit.
You don’t have to listen to its jokes and pretend they’re funny.
It would not be easier to run if you dressed sexier.
The road doesn’t notice if you’re not wearing lipstick.
It does not care how old you are.
You do not feel uncomfortable… because you make more money than the road.
And you can call on the road whenever you feel like it,
whether it’s been a day… or a couple of hours since your last date.
The only thing the road cares about…
is that you pay it a visit once in a while.”

Since then, I’ve seen a number of ads promoting “running” as this anthropomorphic person all runners have an intimate relationship with. This person even wrote a blog about it (http://www.irunfar.com/2014/09/my-relationship-with-running.html) Even recently I heard a commercial saying “Running does not like the shoes you bought for it,” as if Running is going to dump you for another runner with better shoes. I personally think the metaphor has been taken to a ludicrous extreme, but that is the nature of advertising. I’m actually impressed that the idea lasted as long as it did.

But that got me to thinking. Why should Running have all the fun? What about those of us who might not have had relations with Running, but have instead courted someone else? Someone, like, maybe…Writing? Pretty much everything you can associate with the amount of discipline, dedication and passion it takes to be a serious runner you can also apply to being a writer. Writing can be every bit as fickle a mistress as running; every bit as time and life-consuming, every bit as painful (although in different ways) and mentally taxing, with just as much chance of ostracizing you from so-called “normal” people. Non-runners will never understand why runners run. Non-writers will never understand why writers write.

So let’s change the metaphor a little bit. Let’s take all of those cool sayings and catchphrases for running, take the word “running” out and replace with the word “writing.” The road is now the page. Your trusty pair of running shoes is now your favorite writing pen (or your laptop) What would a Nike commercial for “Writing” be?

“There are clubs you can’t belong to.
Neighborhoods you can’t live in.
Schools you can’t get into.
But the page is always open. Write.”

“Write happy. Write grumpy. Write speedy. Write slow. Just write.”

“The biggest mistake a writer can make is to be afraid of making one.”

“If you want to become the best writer you can be, start now. Don’t spend the rest of your life wondering if you can do it.”

See how easy that is? So why are you still reading this? You’ve got writing to do, so…uh...Just Do It.

Oh, and if you’re interested in that campaign I was referring to, watch it for yourself in the movie What Women Want.

Magic: The Gathering and the Art of World Building, Pt. 2

If you’ve read my previous post about how the card game Magic The Gathering uses its cards to build worlds, you know that I feel this could be a valuable tool to help a writer flesh out the setting of his or her story. I briefly explained how I did it, but now the question becomes “how can YOU do it?”

I have a few tips.

In MTG, the cards are elements of a world: flora and fauna, people, cultures, landmarks, important events, etc. Each card has its own mechanics that tie in not only to the game, but also to the element represented. For instance, if I were to make a card for one of my characters from my new manuscript Return of the Tyrant – an elf that is the last surviving elf in his world because he killed every other elf, it would be a creature card that destroyed every other elf in play and prohibited anyone from bringing any more elves out until that elf was destroyed. Now the card itself tells the elf’s story whenever you play it. To the makers of MTG, this is called “flavor.”
Each piece of flavor you add to a given element, whether it be a picture depicting the element, or some text explaining the element, or built into how the card works, deepens the story of the element and adds new dimension to your world.

Magic: The Gathering’s Color Pie

MTG’s foundation is a color-based system that defines every aspect of the game. there are five colors, each with its own personality and methodology, and that is the lens through which every aspect of the game is focused. (broadly: red=freedom and emotion, white=order and selflessness, black=selfishness and pragmatism, green=nature and balance, blue=intellect and invention) Each culture, creature, event and landmark is seen through the view of what color ethos it most closely represents. This actually makes defining the core aspects of worldbuilding elements easier because it gives you a base to develop around. If you have a culture of stoic warriors, you might want to lean them in the direction of a red-white combination, if you want some mad scientists, you make them red and blue or green and blue, and a mafia-like organization would be white and black. A cold, calculating manipulator could be blue-black, while a classic good guy could be monowhite.

Using a Game to Discover Your Story’s Theme

By using a game to develop your world, you can also detect broad thematic elements that can help you develop your story. Every world in Magic the Gathering has an overall theme, whether it be the adventure world aspect of Zendikar to the History-reverent world of Dominaria. once you discover the themes behind your world, you can use that as an aspect of your story. for Return of the Tyrant, the theme of extinction and lost civilization became prevalent as I was developing the cards in my game.

I’ve discovered two approaches to this method that work well. The first is what I call a Tourist mentality. You are a visitor to your world, and you are merely recording the stuff you observe as you travel through it. This is good for coming up with the people, animals, vegetation, landmarks, etc. that make up your world. The second is what I call the Historian’s mentality. Your job is to archive and describe in brief the histories and cultures that shape your world. This is how events, backstories and traditions get created…and often are good incubators for spinoff and follow-up stories.

Now, you don’t have to use MTG exclusively to do this. Any game can be used this way. even such classics as Monopoly and Chess. Or better yet, you can try your hand at inventing your own tie-in game. This would be a good idea because you now have a ready-made merchandise item once your book gets published.

Writing to Music

When I write my stories, I often like to listen to music. For some, listening to music while they work is just a way to help them calm down or focus. But I use music for a different purpose, and I’m quite sure many other writers do the same. For me, music provides an ample way to set mood and tone for the stories I write. It’s very similar to how music plays an integral role in movies: a good soundtrack that fits the story stirs up emotions and feelings that really drive home the theme of the action in the story at that moment. So if that principle works when I’m watching a movie or playing a video game, then I figure it will also work when creating these stories.

For instance, I had an extensive list of songs and artists I listened to while writing my Sci-fi horror novel Godmode. It was an eclectic mix of artists ranging from Portishead to Linkin Park to Evanescence to composers Robyn Miller, Hidekai Kobayashi & Fumie Kumatani to even the French electronica group Air. Since all of these artists have distinct sounds, I use their music for different aspects of my story.

If I wanted my scene to feel creepy and ominous, I played Robyn Miller’s Riven Soundtrack. For something just as creepy but more menacing, I’d play Portishead’s Third. If I wanted some pathos and raw emotion, Evanescence’s “Like You” was a perfect fit. And for action, I listened to heavy doses of Hidekai Kobayashi & Fumie Kumatani’s Phantasy Star Online Soundtrack. That music made for some epic sci-fi fighting, especially for some of the larger, more high-stakes monster fights. I also listened to the more aggressive songs by Evanescence and Linkin Park.

For the Fantasy Thriller I just finished writing, I wanted an epic, blockbuster action feel, so my background music of choice was the Inception soundtrack by Hans Zimmer. I listened to the faster-paced tracks while I wrote the action scenes, and everything else for, well, everything else. I also have an epic, high-fantasy kung-fu story I want to write, and for that I would listen to a mix of traditional Asian music and grand, sweeping Lord Of The Rings-styled adventure music.

When choosing the perfect writing music, first consider what you’re writing about. What is the setting of the story, and what kind of mood are you trying to set up? What is happening in the story, and what plot points within that scene are you trying to emphasize? Once you’ve figured that out, then it’s a matter of finding appropriate music that fits that mood, setting and action. Also keep in mind that even within those criteria, different songs you write to will create different moods. A sweeping love theme by John Williams will work differently from an intimate love song by Adele, even though you could use either for the same scene; and an epic action song from John Barry’s James Bond soundtracks has a different feel than an aggressive heavy metal song from Metallica.

Also, when writing to music, if you can write fast enough to keep up with the song, then do so. It will help you to capture the mood and the feelings that the music evokes. And once you are finished with your scene, always go back and read it over to your music. This way you can tell if you’ve managed to capture the mood the way you originally intended.

Give it a try! Who knows: when your book is optioned for a motion picture, maybe the producers will get soundtrack music similar to what you used to write it to.

So You’re Thinking About Writing A Book…

Oftentimes when I tell people I’m a novelist, I hear them say “I’d like to write a book someday.”  I’ve even had friends explain at length their wonderful story ideas for a book they’d like to write…someday. Or friends and family would tell me of something about their lives they would like to make into a book. Someday.

My response to them is always, “why not now?

Getting beyond all the hemming and hawing and shoulda-coulda-woulda, the bottom line is that either you’re going to write a book or you’re not. You either have it in you or you don’t. So if you believe you have it in you, then why wait to bring it out? Tomorrow is not promised, and God forbid something bad were to happen with you, you don’t want all of those wonderful ideas dying with you, do you?

You can make all of the excuses you want to NOT start writing. You have too many chores to do. You have to tend to your spouse or raise your kids. Your work takes up too much time. The Game is on. The bottom line is that you will make time for the things you really want to do. At the height of my writing, I was getting up an hour early to write my latest novel before I got ready for work, then I’d write during my lunch break, and if I had to, I’d go to bed a half hour later to finish that final thought before heading to sleep. If I had downtime at work, I’d pull out a piece of scrap paper and jot down ideas, then type them in when I got home. I’ve vocally recorded story ideas with my phone. I’ve written while waiting in long lines for appointments instead of reading a magazine or surfing the social networks. If you really want to do it, you would find a way.

And it’s easier than ever before to publish now, so being worried about getting your book out is no longer an excuse. If you don’t want to deal with the haggle of finding an agent or an established publisher, self-publishing is a very viable option. Sites like KDP.com offer easy, convenient and FREE ways to get your book formatted and made available for purchase and download. And some even offer free book cover creation. All you really have to provide is the manuscript, especially if you don’t want an editor. There are tons of networking opportunities on social media for writers and bookmakers, so it’s easier than ever to find a proofreader, a beta reader, a reviewer, and even an editor. Heck, I even typeset books and design book covers as a freelance designer; you could hire me to do that for you.

Here are a couple of simple exercises to get you started.

  1. if you are writing nonfiction, first ask yourself what you want to write about. Then, once you come up with an overall subject matter, then make a list of ten different aspects of that subject that your potential reader would want to know about. Now, for each of those topics, make a list of three things: what you know about it, what you need to research, and how will this benefit your reader. You can even apply this formula in writing a biography. Your ten subjects are ten most significant events in your subject’s life, and the three questions pertain to details of the event. Once you finish this, then you have an instant book outline to build from. And from there it’s just filling in the details.
  2. If you are writing fiction, start with that kernel of an idea that you have in the back of your head. Write it down. Now ask yourself why your idea would be such a big deal in your world. Write that down. Then ask yourself what would have to happen for that idea to happen in real time. Write that down. Now ask yourself how that idea would affect the normal, everyday people of your world. Write that down. Keep going. Ask yourself as many details around your idea as possible. Ask the WHO, the WHAT, the WHERE, the WHEN and the WHY of your idea. Ask how people would respond if your idea really happened. Ask why anyone would try to stop that idea from coming forth, and how they would do it. Ask yourself these questions and whatever others come to mind, and once you have answers, then Write. Them. All. Down. Before you know it, you’ll have a simple story bible to build your tale from, and you’ll be immersed enough in this world that the people in that world will start speaking to you. Write down what they tell you. And you do not have to start at the beginning. That is something that intimidates a lot of would-be writers. Don’t let it intimidate you. Start writing with whatever is in your head RIGHT NOW. If you write enough, the beginning will come to you eventually.

There. I just eliminated all of your excuses for you. Now, if you’re serious about SOMEDAY getting that book idea of yours out, you’re in luck.

Someday just arrived.

So get started.

Let’s Get Started.

Hello, urrbody!

I’m glad you took the time to come try out my new blog experiment. I’ve been looking for something I can give insight on for a while, and I realized that since I’ve written a bunch of novels and actually got 6 of them (as of this post) published, then maybe I can offer some insight to other storytellers out there looking to improve their craft or get the most out of their writing lives.

I think I have some unique perspectives on aspects of the writing life that some of you might benefit from. I especially intend to tie my topics in with how I approached them for my own stories, and you might even get some sneak peeks into upcoming books I’m working on.

Some of these will be updated posts from previous blogs, but most will be brand new topics that I want to address. Also, don’t be surprised if you see the occasional interview with one of the many authors in my network.

So stay tuned! I promise you’ll get something that will help enhance your mad writing skillz in every post.