Tag: motivation

Finding Time to Write

Quan

In one of my very first posts on this blog, I wrote about eliminating your excuses to not write. If you have something you want to write about, you should be writing. No one is going to tell your story for you. (Okay, you actually can pay a ghost writer to tell your story for you, but you still ought to be an active part of the process.). When I tell people I’m a novelist, I still hear people respond with “I’d like to write a book someday.” I ask them why not now, and they say they can’t find the time to.

I call BS on that.

People will make time to do the things they truly want to do. And unless you are truly writing or a living (like a technical writer or a Journalist), then writing will not be a natural part of your daily routine. Only full-time writers can write when they want, but they have to because it’s their job. You have to make time to write, just as you make time to binge watch TV shows or make time to rant on social media. There are plenty of ways to eke out time to get your ideas out, you just have to be committed enough to do it. Here are a few techniques I utilize.

Wake up an hour early or go to bed an hour later

Sometimes making time to write means literally making time. If your story is worth the hours of lost sleep, then those moments are perfect fodder for writing. Heck, for some, the creative juices flow best right before bedtime or right when they wake up anyway.

Write during your lunchbreak or downtime if you can

I admit I’ve snuck pieces of scrap paper onto the floor when I worked at factories. When the machines are down I’d jot a few quick notes down before picking up my broom to clean the area (Not something I recommend, though). Mostly if I had a long enough lunch break, I’d write ideas down then.

Jot down notes

This is something every writer should do. You should always keep a means of recording ideas handy at all time, whether it be a pen and some scratch paper, a note taking app on your phone, a notebook you carry around, or whatever. Inspiration can strike any time and anywhere under any circumstance, and when it happens you need to write it down, and yes, even jotting down notes counts as writing.

Vocal recorders

If you don’t have access to pen and scrap paper, or like me you find thumb-typing ideas onto the note app on your phone to be too tedious, you can always turn on your vocal recorder and dictate your ideas onto your phone. I personally haven’t tried this because I just like the feeling of writing or typing my ideas out better and it allows me more freedom to better organize my thoughts. But if it works for you, then go for it.

Email yourself

A good way to record ideas is to send them to yourself via email. You can write as much as you want, and they will always be in a place where you can retrieve them. I’ve done this plenty of time. In fact, I’ve backed up entire manuscript drafts be emailing them to myself. I actually trust that more than The Cloud.

Write instead of doing something else in your leisure time

Instead of watching the game, or going out partying, or hanging with the crew, or playing video games, or watching cat videos on YouTube, how about taking a half hour to write about what’s on your mind? You would be surprised at how must time you spend a day on mindless entertainment. That time can be spent writing. Or you can even multitask. Keep your laptop or tablet handy and type while you’re watching TV, or in between gaming sessions.

Write when you don’t feel like writing

This is a big one. Oftentimes you just don’t feel creative. It could be fatigue from the daily grind, or you’ve been through something particularly discouraging. The thing is, this is a perfect time to vent out your feelings of despair or frustration or fatigue. You can pour those negative feelings onto the paper, and into your stories. My negative feelings about my life at the time were the genesis of my book The Hand You’re Dealt. The emotions you get as my characters struggle with their careers and relationships are very, very real and were things that I was dealing with when I concocted the story.

Write when something major happens to get the feeling and reactions while they are fresh in your mind.

Likewise, when literally anything of importance happens in your life, that is a perfect opportunity to record it and put it into a story. Take note not only of what happened and why, but how everyone reacted to it, and how it made you feel personally, and even speculation what comes next. This is a great exercise to help develop your skill as a writer, and may provide material fr future stories.

JUST WRITE!

Like I said, if you really wanted to do it, you’d find a way. For writers, the ideas and revelations will churn inside us, nag at us constantly, and pretty much drive us insane if we don’t get them out of our heads and onto some recordable form. It’s an unexplainable thing that drives us. If you have that type of creative passion, you get everything I’m saying. If you don’t, then you won’t. But you can generate that passion by taking the time, even making the time, to cultivate that germ of an idea you’ve got until it consumes you like our ideas consume us. Even something as simple as writing a sentence a day counts. And there’s no better time to get started than RIGHT NOW.

So what are you waiting for?

Is Women in Refrigerators A Neccessary Evil?

Quan

Okay, I’m going to get a bit controversial with this post. I’m going to talk about a very touchy subject among writers and readers. I’m talking about Women in Refrigerators.

For those who don’t know, Women in Refrigerators, or “Fridging,” is when an established secondary character – usually a woman – is killed off or violated in a gruesome way, for the sole purpose of motivating your central protagonist. The phrase got its origins in one of my all-time favorite comic books, Green Lantern. In this particular issue the girlfriend of Green Lantern Kyle Rayner was assaulted by one of his enemies while he was away. She was brutally murdered and shoved into a refrigerator, all for the purpose of making Kyle mad. This incident brought to light a trope where a female character is seemingly needlessly victimized (usually in a gruesome way) for the sake of the protagonist’s motivation.

Why is Women in Refrigerators a bad thing? The biggest problem with fridging is that it takes an established, presumably well-developed character and reduces her (or him, in some cases) to nothing more than a plot device. It is really a disservice to the character to victimize them in such a way, and when a character’s death or violation is handled poorly, it can leave a very bad taste in the mouth of the reader. Add to that the larger social connotations of the fact that this primarily happens to women, and you are creating a very bad feeling for the reader which has very little to do with your actual story. The perception of women in society as needing the protection of men moreso than men needing protection is also part of why this trope has been used so much. It’s only in the last few decades (let’s say starting in the 1990s) that women have been consistently portrayed as not needing a man’s protection or presence. And most protagonists that have benefited from Women in Refrigerators have been men.

But let’s do a deep dive into this trope. There are reasons why this has become a storytelling staple.

First of all, it works. Readers can get more invested into the protagonist when someone he or she cares about is endangered. And the point of everything is to get the reader invested into the protagonist. WIF is not a new thing, and has been done since there were stories to tell. One can argue that the stories of Orpheus, Persephone and Hercules all had women fridged, You can also argue that women were fridged in the Shakespeare plays Othello, Hamlet, and King Lear. It’s been done umpteen times in Television and movies (Game of Thrones and Se7en, for example), and even in video games (Final Fantasy 7 comes to mind). And of course, the trope was first given a name through comics and has many, many examples of it (Gwen Stacy, Elektra and Barbara Gordon, for starters, and let’s throw in Sue Dibny too)

But let me point out that it’s not just women that can get fridged. Though they are the vast majority. For instance, in that very same Green Lantern comic book, Kyle’s gay friend was assaulted by homophobic bullies, and all it really served was to piss Kyle off and show how badass he can be. And in Magic The Gathering, a huge motivation for Gerrard’s decisions to kick off the Weatherlight saga came from his male elf friend Rofellos getting murdered. And as of this writing, Batman’s butler Alfred was just murdered for the sake of furthering a Batman story (although I’m quite sure he will be resurrected somehow sooner or later) Also, violating children is the big no-no in storytelling, but there are instances where even that was exploited to motivate the hero.

So why do I call this a necessary evil? I think that fridging an established character raises the stakes of the story more effectively than endangering a flat supporting character. And an actual violation adds way more urgency than just endangering the character. This also provides a venue (when done well) for exploration of the protagonist and their supporting cast ‘s psyches and reactions to the violation, which can provide some great character depth if handled properly. For a violation to have true meaning, the reader has to actually care about the character getting violated. So you have to establish them for that.

And yes, I am guilty of fridging characters in some of my stories. (beware – spoilers ahead) In The Leopard Man, Ashlynn’s best friend Tesenga was murdered in front of her while they were running from some criminals. I needed to show how dangerous her pursuers were and why getting caught by them was not an option, and also to introduce that possibility when she actually does get caught by them. In Double Entry, I hint at something bad happening to a close friend of Calloway, which would have served as his motivation if I had ever written that spinoff book starring him. I admit I fridged a couple of people in Godmode. Sylvia’s death didn’t really motivate Elijah because he could barely remember her by the time he found her corpse, but his coworker Mr. Snitsky was directly under his protection when he got killed (pretty gruesomely too, I may add). I did this to raise the stakes of Elijah’s situation, and show how dangerous the monsters really are. It also gave me an excuse to show off Elijah’s darker side and make him question whether he was the bigger monster than the creatures he was fighting.

But if Fridging is so bad, then how as a writer can you add that resonance yet avoid falling into the trope? That is tricky and there are no easy answers. There are some excellent solutions in this article (https://www.standoutbooks.com/fridging/ ) that I want to build on.

1. Have her fight back. Don’t let your character be a victim. Give her some agency and response to the issue she is dealing with. If your villain is going to violate her, then make him earn that victory. This way your character isn’t some hapless damsel in distress that couldn’t fend for herself. In a life-or-death situation, people will use anything and everything they can get their hands on to survive. Let your character do the same.

2.Make her more vital. John Wick went on a murderous rampage because someone killed his dog and stole his car. Don’t let your character be a pet or a possession. In addition to fleshing the character out, you must also establish that this character is a vital, important part of your protag’s life, both before and after the traumatic event. Let your protagonist, and even other supporting characters, depend on this person for important stuff. She has a more vital role than being there just to die and make the hero feel bad. This also can make the reader more attached to the character which creates more resonance when the tragic event happens.

3.Show how everyone ELSE is affected by what happens. When a recurring secondary character in the second MacGyver TV show was murdered by a serial killer, there was literally less than a quarter of a segment devoted to how MacGyver and his team felt about losing one of their valued coworkers. And there was no mention of her at all in subsequent episodes, despite the murderer appearing many times afterward as a recurring antagonist. This trivialized her death, and in effect trivialized her life. Your character has relationships and interactions with not only your protagonist, but everyone else in the story. Something bad happening to her will naturally have an effect on everyone she has interacted with. She is/was somebody’s friend, somebody’s sibling, somebody’s spouse, or somebody’s mother. There are emotional connections that need to be addressed.

4.Bring her back. Obviously if a character is dead, this is normally not an option. But in the case of another traumatic violation like rape or mutilation, don’t allow that character to remain in that traumatized state. Empower her to recover and come back from her trauma, maybe with some obvious physical and emotional scars, but restored to her place of importance in the story. Jack Ryan’s wife was forced into a traumatic car accident in Patriot Games, but she was not killed, and she was able to recover and encourage Jack to “go get em,” which provided him with all of the motivation he needed to get the job done without needlessly killing off his wife and children. And even if your character does die, there are ways to “bring her back” from that, too. You just have to be creative. You don’t have to let the villain have that victory over her.

5.Don’t do it to a woman. The perception of a fridging changes drastically with something as simple as doing it to a man instead of a woman. Consider having the traumatic event happen to one of your protagonist’s male supporting characters instead of the female one. There are a lot of layers that can be explored when it is a man that is violated and victimized. Especially with perceptions of male strength and the idea of toxic masculinity and machismo. In society, a man that can be overpowered and violated “like a woman” isn’t really considered a “man.” You can do some things with that to add some extra depth to your story.

These are just a few ideas off the top of my head on ways you can get that same effect without using this trope. And if you disagree with any of this, feel free to call me out on my BS and explain any alternatives you can think of. All opinions and options Can make for great tools for writers to hone their craft, and that includes myself.

Writing is the New Running

Quan

One of the more intriguing things to me about pop culture is the portraying of “running” as a person. The first I had heard of this was in the Mel Gibson movie “What Women Want,” where the hit ad campaign concocted by Mel and Helen’s characters features a Nike shoe campaign aimed at female runners.

 “You don’t stand in front of a mirror before a run…
and wonder what the road will think of your outfit.
You don’t have to listen to its jokes and pretend they’re funny.
It would not be easier to run if you dressed sexier.
The road doesn’t notice if you’re not wearing lipstick.
It does not care how old you are.
You do not feel uncomfortable… because you make more money than the road.
And you can call on the road whenever you feel like it,
whether it’s been a day… or a couple of hours since your last date.
The only thing the road cares about…
is that you pay it a visit once in a while.”

Since then, I’ve seen a number of ads promoting “running” as this anthropomorphic person all runners have an intimate relationship with. This person even wrote a blog about it (http://www.irunfar.com/2014/09/my-relationship-with-running.html) Even recently I heard a commercial saying “Running does not like the shoes you bought for it,” as if Running is going to dump you for another runner with better shoes. I personally think the metaphor has been taken to a ludicrous extreme, but that is the nature of advertising. I’m actually impressed that the idea lasted as long as it did.

But that got me to thinking. Why should Running have all the fun? What about those of us who might not have had relations with Running, but have instead courted someone else? Someone, like, maybe…Writing? Pretty much everything you can associate with the amount of discipline, dedication and passion it takes to be a serious runner you can also apply to being a writer. Writing can be every bit as fickle a mistress as running; every bit as time and life-consuming, every bit as painful (although in different ways) and mentally taxing, with just as much chance of ostracizing you from so-called “normal” people. Non-runners will never understand why runners run. Non-writers will never understand why writers write.

So let’s change the metaphor a little bit. Let’s take all of those cool sayings and catchphrases for running, take the word “running” out and replace with the word “writing.” The road is now the page. Your trusty pair of running shoes is now your favorite writing pen (or your laptop) What would a Nike commercial for “Writing” be?

“There are clubs you can’t belong to.
Neighborhoods you can’t live in.
Schools you can’t get into.
But the page is always open. Write.”

“Write happy. Write grumpy. Write speedy. Write slow. Just write.”

“The biggest mistake a writer can make is to be afraid of making one.”

“If you want to become the best writer you can be, start now. Don’t spend the rest of your life wondering if you can do it.”

See how easy that is? So why are you still reading this? You’ve got writing to do, so…uh...Just Do It.

Oh, and if you’re interested in that campaign I was referring to, watch it for yourself in the movie What Women Want.

So You’re Thinking About Writing A Book…

Quan

Oftentimes when I tell people I’m a novelist, I hear them say “I’d like to write a book someday.”  I’ve even had friends explain at length their wonderful story ideas for a book they’d like to write…someday. Or friends and family would tell me of something about their lives they would like to make into a book. Someday.

My response to them is always, “why not now?”

Getting beyond all the hemming and hawing and shoulda-coulda-woulda, the bottom line is that either you’re going to write a book or you’re not. You either have it in you or you don’t. So if you believe you have it in you, then why wait to bring it out? Tomorrow is not promised, and God forbid something bad were to happen with you, you don’t want all of those wonderful ideas dying with you, do you?

You can make all of the excuses you want to NOT start writing. You have too many chores to do. You have to tend to your spouse or raise your kids. Your work takes up too much time. The Game is on. The bottom line is that you will make time for the things you really want to do. At the height of my writing, I was getting up an hour early to write my latest novel before I got ready for work, then I’d write during my lunch break, and if I had to, I’d go to bed a half hour later to finish that final thought before heading to sleep. If I had downtime at work, I’d pull out a piece of scrap paper and jot down ideas, then type them in when I got home. I’ve vocally recorded story ideas with my phone. I’ve written while waiting in long lines for appointments instead of reading a magazine or surfing the social networks. If you really want to do it, you would find a way.

And it’s easier than ever before to publish now, so being worried about getting your book out is no longer an excuse. If you don’t want to deal with the haggle of finding an agent or an established publisher, self-publishing is a very viable option. Sites like KDP.com offer easy, convenient and FREE ways to get your book formatted and made available for purchase and download. And some even offer free book cover creation. All you really have to provide is the manuscript, especially if you don’t want an editor. There are tons of networking opportunities on social media for writers and bookmakers, so it’s easier than ever to find a proofreader, a beta reader, a reviewer, and even an editor. Heck, I even typeset books and design book covers as a freelance designer; you could hire me to do that for you.

Here are a couple of simple exercises to get you started.

  1. if you are writing nonfiction, first ask yourself what you want to write about. Then, once you come up with an overall subject matter, then make a list of ten different aspects of that subject that your potential reader would want to know about. Now, for each of those topics, make a list of three things: what you know about it, what you need to research, and how will this benefit your reader. You can even apply this formula in writing a biography. Your ten subjects are ten most significant events in your subject’s life, and the three questions pertain to details of the event. Once you finish this, then you have an instant book outline to build from. And from there it’s just filling in the details.
  2. If you are writing fiction, start with that kernel of an idea that you have in the back of your head. Write it down. Now ask yourself why your idea would be such a big deal in your world. Write that down. Then ask yourself what would have to happen for that idea to happen in real time. Write that down. Now ask yourself how that idea would affect the normal, everyday people of your world. Write that down. Keep going. Ask yourself as many details around your idea as possible. Ask the WHO, the WHAT, the WHERE, the WHEN and the WHY of your idea. Ask how people would respond if your idea really happened. Ask why anyone would try to stop that idea from coming forth, and how they would do it. Ask yourself these questions and whatever others come to mind, and once you have answers, then Write. Them. All. Down. Before you know it, you’ll have a simple story bible to build your tale from, and you’ll be immersed enough in this world that the people in that world will start speaking to you. Write down what they tell you. And you do not have to start at the beginning. That is something that intimidates a lot of would-be writers. Don’t let it intimidate you. Start writing with whatever is in your head RIGHT NOW. If you write enough, the beginning will come to you eventually.

There. I just eliminated all of your excuses for you. Now, if you’re serious about SOMEDAY getting that book idea of yours out, you’re in luck.

Someday just arrived.

So get started.